{"id":474,"date":"2025-07-27T14:58:14","date_gmt":"2025-07-27T14:58:14","guid":{"rendered":"https:\/\/www.nataliabielecka.com\/?page_id=474"},"modified":"2025-08-15T19:07:46","modified_gmt":"2025-08-15T19:07:46","slug":"spektakle-2","status":"publish","type":"page","link":"https:\/\/www.nataliabielecka.com\/?page_id=474","title":{"rendered":"SPEKTAKLE"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h1 class=\"wp-block-heading\"><strong>La femme sans ombre<\/strong><\/h1>\n\n\n\n<p><strong>Richard Strauss<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>&nbsp;Op\u00e9ra de Lyon, 2023\/2024<\/strong><\/h4>\n\n\n\n<p><br><strong>Rola:<\/strong>&nbsp;La Faucon &#8211; falcon (Aktorka)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Premiera:<\/strong>&nbsp;17\u201331 pa\u017adziernika 2023 r.<\/li>\n\n\n\n<li><strong>Re\u017cyseria:<\/strong>&nbsp;Mariusz Treli\u0144ski&nbsp;&nbsp;<\/li>\n\n\n\n<li><strong>Kierownictwo muzyczne:<\/strong>&nbsp;Daniele Rustioni&nbsp;&nbsp;<\/li>\n\n\n\n<li><strong>Scenografia:<\/strong>&nbsp;Fabien L\u00e9d\u00e9 |&nbsp;<strong>Kostiumy:<\/strong>&nbsp;Marek Adamski |&nbsp;<strong>\u015awiat\u0142o:<\/strong>&nbsp;Marc Heinz |&nbsp;<strong>Choreografia:<\/strong>&nbsp;Jacek Przyby\u0142owicz |&nbsp;<strong>Wideo:<\/strong>&nbsp;Bartek Macias, Stanis\u0142aw Zaleski<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"679\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/falcon-1024x679.jpg\" alt=\"\" class=\"wp-image-120\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/falcon-1024x679.jpg 1024w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/falcon-300x199.jpg 300w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/falcon-768x509.jpg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/falcon-1536x1018.jpg 1536w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/falcon-2048x1358.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Po raz pierwszy na scenie Op\u00e9ra de Lyon wystawione zostaje monumentalne dzie\u0142o Richarda Straussa, w nowej inscenizacji Mariusza Treli\u0144skiego \u2014 filmowca i dyrektora artystycznego Opery Warszawskiej. Historia przenosi nas w metaforyczn\u0105 \u201enoc duszy\u201d, gdzie bohaterka uwi\u0119ziona w melancholii traci wi\u0119\u017a z rzeczywisto\u015bci\u0105, innymi lud\u017ami i mi\u0142o\u015bci\u0105.<\/p>\n\n\n\n<p>Utw\u00f3r, \u0142\u0105cz\u0105cy symbolizm libretta Hugo von Hofmannsthala z wymagaj\u0105c\u0105, rozbudowan\u0105 partytur\u0105, opowiada o cesarzu \u015bcigaj\u0105cym gazel\u0119, kt\u00f3ra przemienia si\u0119 w kobiet\u0119 pozbawion\u0105 cienia i zdolno\u015bci do macierzy\u0144stwa. To przedsi\u0119wzi\u0119cie na wielk\u0105 skal\u0119, z ogromn\u0105 obsad\u0105, odwa\u017cn\u0105 wizj\u0105 sceniczn\u0105 i kierownictwem muzycznym Daniele Rustioniego, stanowi jedno z najambitniejszych wyzwa\u0144 artystycznych sezonu.<\/p>\n\n\n\n<p>wi\u0119cej o spektaklu : <a href=\"https:\/\/www.opera-lyon.com\/fr\/programmation\/saison-2023-2024\/opera\/la-femme-sans-ombre\">https:\/\/www.opera-lyon.com\/fr\/programmation\/saison-2023-2024\/opera\/la-femme-sans-ombre<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La Femme sans ombre - Entretien\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/o0Uk0uf0p08?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LE FAUCON \u201eLa Femme sans ombre\u201d Richard Strauss re\u017c. Mariusz Treli\u0144ski, Op\u00e9ra National de Lyon.\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_NJdJgbkdLQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h1 class=\"wp-block-heading\">PERSONA. CIA\u0141O BO\u017bENY<\/h1>\n\n\n\n<p>Hubert Sulima<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Teatr Zag\u0142\u0119bia w Sosnowcu, 2023\/2024<\/strong><\/h4>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Rola:<\/strong>&nbsp;Vanessa, Marilyn Monroe, Dobromena<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Premiera : <\/strong>9 lutego 2024<\/li>\n\n\n\n<li><strong>Re\u017cyseria, scenografia<\/strong> : J\u0119drzej Piaskowski<\/li>\n\n\n\n<li><strong>Tekst, dramaturgia i&nbsp;re\u017cyseria \u015bwiat\u0142a<\/strong> : Hubert Sulima<\/li>\n\n\n\n<li><strong>Koncept, postaci, fabu\u0142a, dialogi<\/strong> : J\u0119drzej Piaskowski i&nbsp;Hubert Sulima<\/li>\n\n\n\n<li><strong>Kostiumy<\/strong> : Rafa\u0142 Domaga\u0142a<\/li>\n\n\n\n<li><strong>Opracowanie plik\u00f3w muzycznych<\/strong> : Tomasz Olczuk, Rafa\u0142 Witkowicz<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012-819x1024.jpeg\" alt=\"\" class=\"wp-image-134\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00012.jpeg 1920w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Do&nbsp;Teatru Zag\u0142\u0119bia przyje\u017cd\u017ca znany nie&nbsp;tylko&nbsp;w&nbsp;Polsce \u2013 cho\u0107 polski \u2013 Re\u017cyser. Ma wystawi\u0107 autorskie dzie\u0142o \u201ePersona. Cia\u0142o Bo\u017ceny\u201d. Wraz z&nbsp;nim do&nbsp;Sosnowca trafia znana nie&nbsp;tylko&nbsp;w&nbsp;Polsce \u2013 cho\u0107 polska \u2013 Aktorka. To&nbsp;ona ma wcieli\u0107 si\u0119 w&nbsp;posta\u0107 Bo\u017ceny K., pani sprz\u0105taj\u0105cej w&nbsp;teatrze. Najnowszy spektakl Re\u017cysera ma traktowa\u0107 o&nbsp;radykalnym wybaczaniu, kt\u00f3rego&nbsp;uczy si\u0119 nie&nbsp;tylko&nbsp;ekipa realizator\u00f3w i&nbsp;realizatorek, ale&nbsp;te\u017c teatr, a&nbsp;nawet miasto jako takie. Tylko&nbsp;kto ma co wybaczy\u0107 komu? Co wybaczy\u0107 ma Bo\u017cena, co Aktorka, co Re\u017cyser? Co wybaczy\u0107 mo\u017cna \u2013 i&nbsp;czy&nbsp;mo\u017cna \u2013 im? I&nbsp;wreszcie: czy&nbsp;wybaczy\u0107 mo\u017ce Sosnowiec \u2013 obiekt \u017cart\u00f3w, mem\u00f3w i&nbsp;drwin, b\u0119d\u0105ce w&nbsp;wiecznym cieniu Katowic miasto, kt\u00f3re na&nbsp;pierwsze strony gazet trafia albo&nbsp;dla beki, albo&nbsp;jako miejsce tragicznych zdarze\u0144?<\/p>\n\n\n\n<p>Tw\u00f3rcy przedstawienia wychodz\u0105 od&nbsp;lokalnych sosnowieckich historii, by&nbsp;opowiedzie\u0107 o&nbsp;czym\u015b szerszym \u2013 o&nbsp;r\u00f3\u017cnych odcieniach wybaczenia, o&nbsp;mierzeniu si\u0119 z&nbsp;w\u0142asn\u0105 histori\u0105 i&nbsp;szukaniu dla siebie mo\u017cliwo\u015bci zmiany i&nbsp;nadziei. Na&nbsp;scenie zobaczymy \u015bwiat pe\u0142en wyobra\u017ani, zaskocze\u0144 i&nbsp;czarnego humoru, z&nbsp;kt\u00f3rych&nbsp;s\u0142ynie duet Piaskowski\/Sulima. \u201ePersona. Cia\u0142o Bo\u017ceny\u201d to&nbsp;spektakl pokazuj\u0105cy obrazy niemo\u017cliwe, kt\u00f3rych&nbsp;nigdy nie&nbsp;widzieli\u015bmy, ale&nbsp;skrycie pragn\u0119li\u015bmy zobaczy\u0107.<\/p>\n\n\n\n<p>wi\u0119cej o spektaklu : <a href=\"https:\/\/teatrzaglebia.pl\/spektakl\/persona-cialo-bozeny\/\">https:\/\/teatrzaglebia.pl\/spektakl\/persona-cialo-bozeny\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"PERSONA. CIA\u0141O BO\u017bENY - trailer \/\/ TEATR ZAG\u0141\u0118BIA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/s2oijSkdaTc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"150\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026-819x1024.jpeg\" alt=\"\" class=\"wp-image-150\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00026.jpeg 1920w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"136\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014-819x1024.jpeg\" alt=\"\" class=\"wp-image-136\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00014.jpeg 1920w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"135\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013-819x1024.jpeg\" alt=\"\" class=\"wp-image-135\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/06\/image00013.jpeg 1920w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h1 class=\"wp-block-heading\">Ziemia obiecana.<\/h1>\n\n\n\n<p>W\u0142adys\u0142aw Reymont<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Teatr Zag\u0142\u0119bia w Sosnowcu, Sezon 2024\/2025<\/h4>\n\n\n\n<p><strong>Rola :<\/strong> Mada M\u00fcller<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Re\u017cyseria:<\/strong> Maja Kleczewska<\/li>\n\n\n\n<li><strong>Tekst i\u00a0dramaturgia<\/strong>: Tomasz \u015apiewak<\/li>\n\n\n\n<li><strong>Aran\u017cacja przestrzeni, scenografia, re\u017cyseria \u015bwiat\u0142a<\/strong>: Fabien L\u00e9d\u00e9<\/li>\n\n\n\n<li><strong>Kostiumy: <\/strong>Konrad Parol<\/li>\n\n\n\n<li><strong>Muzyka: <\/strong>Cezary Duchnowski<\/li>\n\n\n\n<li><strong>Choreografia: <\/strong>Pawe\u0142 Koz\u0142owski<\/li>\n\n\n\n<li><strong>Przygotowanie projekcji video (multimedialnych) z\u00a0wykorzystaniem AI: <\/strong>Krzysztof Garbaczewski<\/li>\n\n\n\n<li><strong>Operator kamery \/ nagrania video:<\/strong> Aleksander Joachimiak<\/li>\n<\/ul>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-819x1024.jpg\" alt=\"\" class=\"wp-image-726\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-819x1024.jpg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-240x300.jpg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-768x960.jpg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-1229x1536.jpg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-1638x2048.jpg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1676-scaled.jpg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>\u201eZiemia obiecana\u201d to&nbsp;realistyczny portret \u015bwiata na&nbsp;progu rewolucji. Rewolucji gospodarczej, przemys\u0142owej ale&nbsp;te\u017c rewolucji modeli relacji mi\u0119dzyludzkich. Taka by\u0142a \u201eZiemia obiecana\u201d Reymonta, taka by\u0142a Wajdy \u2013 i&nbsp;taka jest Mai Kleczewskiej.<\/p>\n\n\n\n<p>Jedna z&nbsp;najwa\u017cniejszych wsp\u00f3\u0142czesnych re\u017cyserek teatralnych razem ze&nbsp;znanym zag\u0142\u0119biowskiej publiczno\u015bci dramaturgiem Tomaszem \u015apiewakiem (m. in. s\u0142ynny \u201eKorzeniec\u201d, czy&nbsp;\u201eKo\u0144, kobieta i&nbsp;kanarek\u201d) ziemi\u0119 obiecan\u0105 odkrywaj\u0105 w&nbsp;Sosnowcu, mie\u015bcie o&nbsp;historii zaskakuj\u0105co podobnej do&nbsp;historii \u0141odzi. Jednak ich \u201eZiemia obiecana\u201d nie&nbsp;jest opowie\u015bci\u0105 o&nbsp;przesz\u0142o\u015bci. To, zn\u00f3w, realistyczny portret \u015bwiata na&nbsp;progu rewolucji \u2013 ale&nbsp;rewolucji jak najbardziej wsp\u00f3\u0142czesnej, kt\u00f3rej&nbsp;no\u015bnikiem s\u0105 ju\u017c nie&nbsp;fabryki a&nbsp;nowoczesne technologie i&nbsp;sztuczna inteligencja. Spektakl stawia pytania o&nbsp;przysz\u0142o\u015b\u0107 pracy, o&nbsp;wiecznie \u017cywe napi\u0119cia kapitalizmu, brutalno\u015b\u0107 jego regu\u0142 oraz&nbsp;nier\u00f3wno\u015bci ale&nbsp;te\u017c o&nbsp;wci\u0105\u017c aktualne mechanizmy d\u0105\u017cenia do&nbsp;sukcesu. Bohaterowie tej&nbsp;\u201eZiemi obiecanej\u201d nie&nbsp;r\u00f3\u017cni\u0105 si\u0119 bowiem zasadniczo od&nbsp;tych Reymonta i&nbsp;Wajdy: nadal kalkuluj\u0105, kochaj\u0105, zdradzaj\u0105, ryzykuj\u0105 wszystko \u2013 tylko&nbsp;w&nbsp;innym kostiumie epoki.<\/p>\n\n\n\n<p>W&nbsp;sosnowieckiej \u201eZiemi obiecanej\u201d Kleczewska rezygnuje z&nbsp;tradycyjnych teatralnych ram. Premiera spektaklu odb\u0119dzie si\u0119 nie&nbsp;w&nbsp;budynku teatru, lecz&nbsp;w&nbsp;zabytkowym banku \u2013 miejscu, kt\u00f3re niegdy\u015b s\u0142u\u017cy\u0142o gromadzeniu kapita\u0142u, a&nbsp;dzi\u015b ma sta\u0107 si\u0119 nowoczesnym centrum \u0142\u0105cz\u0105cym biznes i&nbsp;kultur\u0119. To&nbsp;nie&nbsp;tylko&nbsp;scenografia \u2013 to&nbsp;symbol.<\/p>\n\n\n\n<p>wi\u0119cej o spektaklu : <a href=\"https:\/\/teatrzaglebia.pl\/spektakl\/ziemia-obiecana\/\">https:\/\/teatrzaglebia.pl\/spektakl\/ziemia-obiecana\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"742\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-819x1024.jpeg\" alt=\"\" class=\"wp-image-742\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1684-scaled.jpeg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"739\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-819x1024.jpeg\" alt=\"\" class=\"wp-image-739\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1683-scaled.jpeg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"743\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-819x1024.jpeg\" alt=\"\" class=\"wp-image-743\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1682-scaled.jpeg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"744\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-819x1024.jpeg\" alt=\"\" class=\"wp-image-744\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1681-scaled.jpeg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"741\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-819x1024.jpeg\" alt=\"\" class=\"wp-image-741\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1679-scaled.jpeg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"745\" src=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-819x1024.jpeg\" alt=\"\" class=\"wp-image-745\" srcset=\"https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-819x1024.jpeg 819w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-240x300.jpeg 240w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-768x960.jpeg 768w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-1229x1536.jpeg 1229w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-1638x2048.jpeg 1638w, https:\/\/www.nataliabielecka.com\/wp-content\/uploads\/2025\/08\/IMG_1677-scaled.jpeg 2048w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><figcaption class=\"wp-element-caption\">fot. Jeremi Astaszow<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La femme sans ombre Richard Strauss &nbsp;Op\u00e9ra de Lyon, 2023\/2024 Rola:&nbsp;La Faucon &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-474","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=\/wp\/v2\/pages\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=474"}],"version-history":[{"count":28,"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=\/wp\/v2\/pages\/474\/revisions"}],"predecessor-version":[{"id":737,"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=\/wp\/v2\/pages\/474\/revisions\/737"}],"wp:attachment":[{"href":"https:\/\/www.nataliabielecka.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}