{"id":6,"date":"2025-06-24T19:43:33","date_gmt":"2025-06-24T19:43:33","guid":{"rendered":"https:\/\/www.nataliabielecka.com\/?page_id=6"},"modified":"2025-08-15T19:37:22","modified_gmt":"2025-08-15T19:37:22","slug":"silverstorm","status":"publish","type":"page","link":"https:\/\/www.nataliabielecka.com\/","title":{"rendered":"Front Page"},"content":{"rendered":"
\n \n
\n \n \n
\n \n
\n \n
\n \n
\n
\n \n \n
\n \n
\n \n
\n \n \n

O MNIE<\/h2>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n
\n \n
\n
\n \n \n
\n \n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n
\n \n
\n
\n \n \n
\n \n
\n \n \n
\n

N A T A L I A B I E L E C K A \u2013<\/p>\n

Absolwentka aktorstwa na Akademii Sztuk Teatralnych im. Stanis\u0142awa Wyspia\u0144skiego w Krakowie (rok uko\u0144czenia: 2022). <\/p>\n

Zadebiutowa\u0142a na drugim roku studi\u00f3w na deskach Narodowego Starego Teatru w Krakowie, gdzie w ramach zast\u0119pstwa przygotowa\u0142a rol\u0119 Danki w spektaklu \u201ePierwiastek z minus jeden\u201d w re\u017cyserii Agnieszki Mandat. Wsp\u00f3\u0142pracowa\u0142a z takimi teatrami\n jak: Teatr Bagatela w Krakowie (\u201eKr\u00f3lowa \u015bniegu\u201d re\u017c. Wojciech Leonowicz), Teatr Soho w Warszawie (\u201eKasandra\u201d re\u017c. Zofia Gustowska, Festiwal Nowe Epifanie), TR Warszawa (\u201eR.I.P. KORE. Agon_na _Olimpie\u201d re\u017c. Katarzyna Minkowska) oraz\n w ramach zast\u0119pstwa w \u201eMi\u0119dzy nami dobrze jest\u201d re\u017cyserii Grzegorza Jarzyny. Zagra\u0142a tak\u017ce rol\u0119 Desdemony w \u201eOtellu\u201d w re\u017cyserii Wiktora Bagi\u0144skiego, wyr\u00f3\u017cnionym podczas 9. Forum M\u0142odej Re\u017cyserii Nagrod\u0105 Debiut TR. Finalistka 15.\n edycji programu Teatr Polska ( spektakl \u201eniezgoda.jpg\u201d Daria Sobik re\u017c. Justyna \u0141agowska).<\/p>\n

Sezon teatralny 2023\/2024 rozpocz\u0119\u0142a w Narodowej Operze w Lyonie, wcielaj\u0105c si\u0119 w posta\u0107 Soko\u0142a w spektaklu \u201eLa femme sans ombre\/ Kobieta bez cienia\u201d Richarda Straussa w re\u017cyserii Mariusza Treli\u0144skiego.<\/p>\n

Zatrudniona jako aktorka etatowa w Teatrze Zag\u0142\u0119bia w Sosnowcu, gdzie debiutowa\u0142a rol\u0105 Kobiety z Ulicy R\u00f3wnej w spektaklu \u201eGniew\u201d re\u017c. Szymon Kaczmarek. Od tego czasu zrealizowa\u0142a tam jedena\u015bcie premier. Ostatnia „Ziemia Obiecana”\n W\u0142adys\u0142aw Reymont\/ Tomasz \u015apiewak w re\u017c. Mai Kleczewskiej mia\u0142a premier\u0119 14.06.2025 r. oraz zosta\u0142a zaprezentowana na Mi\u0119dzynarodowym Festiwalu Sztuk Przyjemnych i Nieprzyjemnych w \u0141odzi w ramach Pokaz\u00f3w Mistrzowskich.  <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

\n \n \n
\n \n
\n \n
\n \n
\n
\n \n \n
\n \n
\n \n
\n
\n \n \n \"\"\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n \n \"\"\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n
\n \n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n
\n \n
\n
\n \n
\n \n <\/div>\n <\/div>\n
\n \n
\n \n
\n \n <\/path><\/svg><\/span><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n <\/div>\n <\/div>\n <\/div>\n
\n
\n \n \n
\n \n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n
\n \n
\n
<\/div>\n <\/div>\n <\/div>\n
\n \n
\n
<\/div>\n <\/div>\n <\/div>\n
\n \n
\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n \n
\n \n
\n \n
\n \n
\n
\n \n \n
\n \n
\n \n
\n
\n \n \n \"\"\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n \n